polutrope: (academia)
When I saw Eugene Onegin at the Met last year, the nice old lady with whom I was sharing a box said "What a bastard," in reference to Onegin. Well, he is, of course he is, it's 99% of the point of the opera (this is not exactly true; it's 99% of the novel, but only ~70% of the opera, the other 30% being "Tatiana is Noble and Incorruptible"). So, it wasn't her saying that that struck me, but rather the point at which she said it.


It was during "Vi mne pisali," which, thanks to my second semester Russian skills, I know means "You (formal) wrote to me," which Tanya, amid much melodrama, did. He tells her that he can't take advantage of her, and that he was not meant to be someone's husband, sitting with children on his knee, but if his fate had been different, he could have loved her. It's a bit patronizing, of course - but then, he is practically old enough to be her father. (I don't know if their ages are specified, but she can't be older than twenty, or maybe even eighteen, and I put him in his early thirties.) So, overall, not that bad, on the bastard front. Mantova or Don Giovanni would have taken advantage of her in a second.

And this is why he's, to some extent, worse than either of them to me. He waits until Tatiana has a husband and a reputation before she's interesting, worth pursuing. Both of the above womanizers are certainly despicable, but neither of them delights in ruining a woman more than her physical charms.



of course it doesn't stop me from having a crush on him.

Profile

polutrope: (Default)
Theodora Elucubrare

December 2018

S M T W T F S
      1
2345678
910 1112 131415
16 17 1819202122
23242526272829
3031     

Style Credit

Syndicate

RSS Atom
Page generated Jul. 4th, 2025 10:52 am
Powered by Dreamwidth Studios

Expand Cut Tags

No cut tags

Most Popular Tags

Page Summary